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KRYSTAL KLEAR DROPS FREE EP

Krystal Klear gives away some long-awaited freebies...

LONDON'S CORONET VENUE UNDER THREAT

Elephant & Castle venue has hosted many medium-sized dance events

FREE TRACK: TUCCILLO 'STUDIO TIME #1'

Only via DJ Mag

RADIO 1 GOES DANCE FOR A WEEK!

BBC station devotes a week to dance in run-up to Ibiza Weekend

JOIN DJ MAG IN THE VIP AT GLOBALGATHERING

Secret headline sets planned after dark
POINT BLANK TUTORIAL

MIXING TUTORIAL IN ABLETON LIVE

Part one of Point Blank’s new tutorial

PIONEER LAUNCH VINYL TURNTABLE

PLX-1000 available from late August

PIONEER REKORDBOX 3 UPDATE

Pioneer launch new version of their RekordBox software...

DANCE MUSIC FROM THE BEGINNING: PART TWO

Disco Sucks and the birth of house music

REVIEW: FIELD DAY

Victoria Park, London on Saturday 8th June

REVIEW: FLEETMAC WOOD

'Gold Dust Disco' at The Shacklewell Arms, London
Last Gasp - Epiphany - A Harmless Deed

This eighth release from A Harmless Deed comes courtesy of the label’s co-founder, Argentinean, Madrid-raised Damian Schwartz, under his guise as Epiphany (Schwartz has run the imprint with Jose Cabrera since 2012, presenting tracks from the likes of Fred P and Marcos Cabral). 'Let the Boys Be' is gently acidic, classic by both nature and construction, emotional and oh-so-very deep, while 'Player' too evokes the fine house music of decades gone by, tingling ride cymbals and a dirty synth cutting through. Very nice.

Waiting For - The Drop - Reggae Roast

In this life, time is precious and attention spans short. So, in my public service duty, I feel I’m bound to tell you to cut the shit and head straight to the LV remix and bruk the fuck out. Weird, K-hole garage vibes with a phantasm of dub lingering in a never-ending echo. Nuff said. Broadcast terminated.

Playboy - Dodge & Fuski vs Nick Thayer - Disciple Recordings

All twerking and no play makes Jack a dull boy. Well, saying that, this is actually quite fun, if a little disposable.

'Little Brown Dog' - MO KOLOURS - One-Handed Music

"One of the most creative and individual performers on the scene at the moment. Every time Mo plays me a beat it makes me want to write, and seeing him perform live is a glimpse into how in the moment his creative process is."