Sasha plays a classic bait-and-switch trick with ‘Ether’ by opening on a hefty note of techno, before evolving into a swirly progressive monster in the second half, the brittle sounds giving way to delicious cyclones of melody, demonstrating again he’s not afraid at the moment to go for the jugular. There are elements of a return to the euphoric sounds that defined his earlier years, without the danger of it feeling retrospective.
A sleeper of a record from Colorize that warrants attention as a proper gem, ‘Back In My Life’ is a seductive slice of melodic progressive that’s brimming with ambient shimmers, dramatic drumrolls and huge basslines, packing a dancefloor punch without letting things spill gratuitously over into trance. Keep it in your box if you really want to take a house set up a notch.
The B-side of Allien’s latest ‘High’ EP sees her dropping what’s unmistakably a dirty progressive record, through and through. While ‘Lou’ deceptively fires up with a moody tech house vibe, it’s not long before it’s been transformed into an acid-drenched belter. Bigger than you’d think.
If ever there was a track which sounded like how I felt jacked on four double espressos then ‘Wigu Hill’ is it — jittery as fuck and loaded with a woodpecker-like purpose. It has an intense, weird and hypnotic quality. As does the rest of the EP from Glasgow’s Mr Ludd; track names like ‘Molcorp Mountain Pass’, ‘Garimpos’ and ‘Prisoner’s Dilema’ only hint at the madness contained within. I urge you to explore.