John Dimas returns for another outing on Bloody Mary's Dame-Music imprint, following his last appearance on 'Klub Klub Elite Vol. 3 EP', via recent releases on Claap and La Vie En Rose. 'State of Mind' is a straight jacker, layered with some subtly hypnotic arpeggios. Simple, but so very effective. 'Overthink' is a little more ambitious, boasting all the hallmarks of a Chi-Town classic. But produced in 2013. By a Greek. In Berlin. It's no mean feat.

Nice to see this Dusseldorf-Detroit axis back in action, and in such belting form too. 'The Art of Sound' twists up a disco loop in the classic filter style, augmented with some rattling hats and tough beats. 'Version 1' teases the sax-heavy loop out deftly, where 'Version 2' goes all Cassius circa 1998, heaping on the compression to devastating effect. It's not new, but damn it, if this doesn't get a dancefloor oiled up, then it's time to consider jacking it in.

Classic head boss man Luke Solomon lets Akufen loose on his latest, and the results are pretty ace. It's bumpy, sax-y, organ-y party mayhem, in fact.

A Dirtybird release with a colossal bassline might not seem unusual, but this is unusually colossal work from Justin Jay. It really is very large indeed.

A gorgeously, wonderfully Balearic thing here from the Zagreb/Frankfurt axis that is House Is OK, injecting purest vitamin D into our scurvy-racked systems. Oliver Achatz boots things off with the creepingly anthemic 'L.A. Cure', all innocuous synths, which breaks fabulously come the middle. Homeboy's 'Kim' is all bass slapped to within an inch of its life. The ethereal houser 'While You Were Dancing', by Janis, somehow ups the stakes of an already essential release. Well played there.